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Solid Angle Arnold for Cinema 4D (C4DtoA) v2.2.1
Software » 3D | автор: SonyQ (22.11.17)
Solid Angle Arnold for Cinema 4D (C4DtoA) v2.2.1

Program Name: Arnold for Cinema 4D (C4DtoA) v2.2.1
Program Type: MAXON Cinema 4D plug-in
Developer: Solid Angle S.L.
Release Date: 21.11.2017
Interface Language: English
Platform: MAXON Cinema 4D R17/R18/R19 (all products except Lite)
File Size: 21.84Mb / 21.85Mb / 22.49Mb

Arnold for Cinema 4D (C4DtoA) представляет собой подключаемый модуль к Cinema 4D, который перебрасывает мостик к системе рендеринга Arnold из стандартного интерфейса Cinema 4D. После установки, а модуль загружается в Cinema 4D, всё, что нужно сделать, так это выбрать систему Arnold в Cinema4D для рендеринга сцен. Arnold - это система глобального освещения, включающая современные методы трассировки лучей и физически точного затенения. Arnold предлагает больше скорости, больше мощности и более высокое качество. Это обеспечивает студии явным конкурентным преимуществом - особенно в крупнобюджетном производстве.

За последние несколько лет Arnold был использован для создания уникальных визуальных эффектов в главных эффектах художественных фильмов, анимационных художественных фильмов, а также в дорогостоящих коммерческих проектах. Компания Sony Pictures Imageworks использовала систему Arnold ранее, и будет использовать её во всех предстоящих фильмах.

Arnold использует передовые алгоритмы для наиболее эффективного использования аппаратных ресурсов компьютера: память, дисковое пространство, процессорные ядра, а также SIMD-расширения SSE.

Архитектура Arnold была разработана для простой адаптации к существующим конвейерам. Система построена поверх системы подключаемых узлов; пользователи могут расширять и настраивать систему посредством написанием новых узлов шейдеров, камер, фильтров и драйвера вывода, а также процедурной геометрии, собственных типов лучей и геометрических данных. Основная цель архитектуры Arnold заключается в предоставлении полного решения в качестве основного визуализатора при работе над анимацией и визуальными эффектами. Однако Arnold также может использоваться как:
• 'Лучевой' сервер для традиционных построчных визуализаторов
• Инструмент для запекания или процедурной генерации данных освещения (карты освещения для видеоигр)
• Инструмент интерактивного рендеринга и пересчёта освещения

Чем отличается Arnold?
Arnold представляет собой движок рендеринга без допущений на основе методов трассировки лучей и путей. Он не использует алгоритмы кэширования, которые добавляют артефакты, такие как метод фотонных карт (Photon mapping) и окончательная сборка (Final gather).

Инструкция по активации на Русском языке прилагается, см. 'install_ru.txt'


Arnold for Cinema 4D (C4DtoA) provides a bridge to the Arnold renderer from within the standard Cinema 4D interface. Arnold is a global illumination system incorporating modern ray tracing and physically based shading techniques. Arnold offers greater speed, more power and higher quality. This gives studios using Arnold a distinct competitive advantage - especially in big-budget productions.

Over the past few years, Arnold has been used to create unique visual effects in major VFX feature films, animated features, and high-end commercial projects. Sony Pictures Imageworks was the catalyst for the professional adoption of the product and will use Arnold in all upcoming films.

Arnold uses cutting-edge algorithms that make the most effective use of your computer’s hardware resources: memory, disk space, multiple processor cores, and SIMD/SSE units.

The Arnold architecture was designed to easily adapt to existing pipelines. It is built on top of a pluggable node system; users can extend and customize the system by writing new shaders, cameras, filters and output driver nodes, as well as procedural geometry, custom ray types and user-defined geometric data. The primary goal of the Arnold architecture is to provide a complete solution as a primary renderer for animation and visual effects. However, Arnold can also be used as:
• A ray server for traditional scanline renderers
• A tool for baking/procedural generation of lighting data (lightmaps for videogames)
• An interactive rendering and relighting tool

Why is Arnold different?
Arnold is an unbiased ray/path tracing engine. It doesn't use caching algorithms that introduce artifacts like photon mapping and final gather.

• Seamless integration with C4D: objects (instances, cloners, deformers, generators), MoGraph geometry, hair and splines.
• Support for both native particles and Thinking Particles.
• The fastest interactive rendering (IPR) of all Arnold plugins, allows parameter changes to be rapidly previewed without interrupting your work.
• Arnold Shading Network Editor, a node-based material editor.
• A comprehensive list of shaders and utilities, including vertex maps and per-face materials.
• Volume rendering with OpenVDB.
• Deferred, render time generation of geometry with the Arnold procedural node.
• Native linear workflow.
• Team Render, including single-frame distributed rendering.
• Support for third party plugins like X-Particles and Turbulence FD.

C4toA Documentation >>

What's new in v2.2.1:
• New randomwalk sub-surface scattering algorithm: A new, more accurate way of calculating SSS has been added. Unlike the current empirical BSSRDF method based on diffusion theory, this new method actually traces below the surface with a real random walk and makes no assumptions about the geometry being locally flat. This means it can take into account anisotropic scattering like brute-force volume rendering and produces much better results around concavities and small details. It can also be substantially faster for large scattering radius (i.e. large mean free path) compared to the old method. On the other hand, the new method can be slower in dense media (i.e. small mfp), does not support sss_setname for blending two surfaces together, may require redialing materials to achieve a similar look, and is more sensitive to non-closed meshes, "mouth bags", and internal geometry potentially casting shadows. The default is to use the old empirical diffusion method in order not to break the look of existing scenes.
• New car paint shader: We are now shipping a dedicated shader for car paint, which can be thought of as the combination of a simplified version of the standard_surface and flakes shaders. This shader can create a wide range of car paint looks without having to connect several nodes. For example, a pearlescent effect can be easily added to both the specular and flakes layers by simply tweaking a few parameters such as Specular > Flip-Flop and Flakes > Flip-Flop. An arbitrary number of layers of flakes can be used (Flakes > Layers). The flakes at a deep layer are covered by the ones closest to the surface and more tinted by pigments (specified by the Transmission Color parameter).
• New licensing dialogs:
- Connect to License Server: Allows you to edit the address of the Solid Angle RLM and Autodesk NLM license servers.
- Get Diagnostics: Displays detailed information for troubleshooting licensing issues.
• Flakes shader improvements: The Size parameter is replaced by the Density parameter, which makes it easy to control the size and number of flakes. Alpha channel can be used as a mask. The new flakes shader supports non-disc shapes and 3D flakes, which are used to render gemstone inclusions like Goldstone, for example.
• Shadow matte shader improvements: We have revamped and simplified the shader to make it easier to use, and fixed a number of long-standing issues: Indirect illumination now fills the global diffuse_indirect and specular_indirect AOVs, so we have removed the shader’s (confusingly named) indirect_diffuse and indirect_specular AOVs. Self-reflections are no longer rendered. A new Specular > IOR parameter was added to control Fresnel reflection. The new enum parameter Background can be set to either scene_background (default) or background_color, which allows connecting a specific texture in the Background Color parameter slot. Parameter Alpha Mask was added to control whether the alpha must be opaque or if it has to contain the shadow mask. The Offscreen Color parameter is moved to the Arnold Tag of the Background object.
• Cellular option added to the triplanar shader: The triplanar shader now supports projection through Voronoi cells using the new Cell parameter. The rotation angle of the projected texture for each cell can be controlled with the Cell Rotate parameter. Cells can be smoothly blended using the Cell Blend parameter.
• Subdivision frustum culling: Subdivision patches outside the view or dicing camera frustum will not be subdivided. This is useful for any extended surface that is only partially visible as only the directly visible part will be subdivided. Similarly, no subdivision work will happen if a mesh is not directly visible. This can be turned on globally in the Arnold Render Settings > Main > Subdivision by setting Frustum Culling on and can be turned off for specific meshes with Frustum Ignore in the Arnold Tag > Subdivision. The Frustum Padding parameter in the render settings adds a world space padding to the frustum that can be increased as needed to minimize artifacts from out-of-view objects in cast shadows, reflections, etc. Note that motion blur is not yet taken into account and moving objects might require some additional padding.
• Transmit AOVs in the standard surface shader: The standard_surface shader with transmission can now pass through AOVs, by enabling the Transmit AOVs parameter. If the background is transparent, then the transmissive surface will become transparent so that it can be composited over another background. Light path expression AOVs will be passed through so that for example a diffuse surface seen through a transmissive surface will end up in the diffuse AOV. Other AOVs can also be passed straight through (without any opacity blending), which can be used for creating masks for example.
• Support for light linking of volumes: Just like with surface shapes, Arnold now obeys light group assignment on volume shapes and surfaces with volumetric interiors.
• Display OCIO color spaces grouped by families
• No IPR update when loading a new texture in the Arnold Sky
• IPR crash with lots of object generators in the scene
• Export only selected shaders to ASS does not work
• Team Render hangs when a client is not shared anymore
• Deep exr layer parameters are not exported
• Color spaces are not listed on OSX when a render is running
• The Size parameter is replaced by the Density parameter in the flakes shader.
• The Offscreen color parameter is moved from the shadow matte shader to the Arnold Tag of the Background object.
• The indirect_diffuse and indirect_specular AOVs of the shadow matte shader are removed. Indirect illumination now fills the global diffuse_indirect and specular_indirect AOVs.

- Compatible with Cinema 4D R17, R18, and R19 (all products except Lite)
- Windows 7 and later
- No GPU or graphics card requirements
- CPU with at least SSE 4.1 instructions (2006 and later Intel CPUs, and 2011 and later AMD CPUs)

Solid.Angle.Cinema4D.To.Arnold.v2.2.1.For.Cinema4D.R17-AMPED [Cracked RLM & License file]>>>>

Solid.Angle.Cinema4D.To.Arnold.v2.2.1.For.Cinema4D.R18-AMPED [Cracked RLM & License file]>>>>

Solid.Angle.Cinema4D.To.Arnold.v2.2.1.For.Cinema4D.R19-AMPED [Cracked RLM & License file]>>>>

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Другие новости по теме / See also:
  • Solid Angle Arnold for 3ds Max (MAXtoA) v1.2.893
  • Solid Angle Arnold for Cinema 4D (C4DtoA) v1.5.1
  • Solid Angle Arnold for Cinema 4D (C4DtoA) v2.0.3.2
  • Solid Angle Arnold for Cinema 4D (C4DtoA) v2.0.3.3
  • Solid Angle Arnold for Cinema 4D (C4DtoA) v1.6.2
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