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video2brain: Compositing in Premiere Pro
Tutorials | автор: nimdA (27.01.12)
video2brain: Compositing in Premiere Pro
Name: video2brain: Compositing in Premiere Pro
Type: Tutorial, Training
Release Date: Oct 6, 2011
Publisher: video2brain
Language: English
Duration: 2 hrs 20 min
File Format: .mov
File Size: 771Mb (Packed: 492Mb)

Compositing in Premiere Pro - Композитинг в Premiere Pro. Создание современных последовательностей, не выходя из редактора. Premiere Pro CS5.5 является в первую очередь системой нелинейного монтажа, предназначеной для быстрого редактирования различных типов медиа-файлов, но также включает передовые спецэффекты и инструменты композитинга. В этих видеоуроках, мастер-редактор Максим Яго описывает инструменты и параметры, доступные для создания сложных композиций, используя только Premiere Pro, без привлечения After Effects или Photoshop.

Вы узнаете, как настроить прозрачность, использовать маски, создавать вложенные последовательности, а также как работать со слоями, chroma keys, luma keys и Ultra Keyer. К концу этого курса вы сможете, не выходя из вашего видео-редактора, создавать современные последовательности композиций.


Compositing in Premiere Pro - Produce Advanced Sequences Without Leaving Your Editor. Premiere Pro CS5.5 is primarily a nonlinear editing system designed for fast cutting of multiple media types, but it is also an advanced special effects and compositing tool. In this course, master editor Maxim Jago describes the tools and options available to create complex compositions using just Premiere Pro, without involving After Effects or Photoshop.

You’ll learn how to adjust opacity, use garbage mattes and track mattes, and create nested sequences, as well as how to work with chroma keys, luma keys, and the Ultra Keyer. By the end of this course, you will be able to layer multiple media elements to produce advanced sequences as compositions. managing, organizing, and outputting your projects.

The contents of this course include:

What Is Compositing? What Is RGBA?: Compositing is any creative work that involves layering multiple design elements together. With nonlinear editing systems like Premiere Pro, compositing makes use of alpha channels. This chapter explains the core technologies behind the creative tools.

Adjusting Opacity: Probably the most basic and common form of transparency adjustment is the opacity control. This is so common, Premiere Pro makes it the default keyframe adjustment on the Timeline. This chapter looks at the ways you can make keyframed adjustments to opacity using effect controls and the Timeline.

Garbage Mattes: Garbage mattes should really have another name. Something like “amazing mattes” would fit better, since these simple effects combine with others to create some of the most advanced compositing tools in Premiere Pro. This chapter introduces your new best friend in the world of compositing.

Luma Keys: Luma Keys calculate which pixels should be transparent based on their luminance values. They work best when you plan for them in advance and shoot with appropriate lighting. This chapter introduces the unsung hero of compositing.

Chroma Keys: Chroma keys are now so common they are public knowledge. Premiere Pro has multiple tools for creating a Chroma Key effect and this chapter focuses on the standard tools to explain the core controls.

The Ultra Keyer: The Ultra Key effect was originally part of a suite of tools intended to create virtual sets. The keyer in that suite was so good, Adobe put it into Premiere Pro. It provides super-fast, high-quality keys and this chapter shows you how.

Nesting Sequences: Nesting allows for some of the most efficient workflows and advanced effects work, but many editors are not familiar with it. This chapter introduces sequence nesting and gives some examples of how to use it.

Blend Modes: Blend modes were originally a part of Photoshop, but now they are a standard “fixed” effect in Premiere Pro. This chapter introduces one of the most powerful but subtle features for compositing.

Track Mattes: Track Mattes enable you to apply a simple principle to create complex, advanced compositions. This chapter shows you how to use this small effect to get big results.

- Broadband internet connection
- Up-to-date browser with Flash plug-in
- Screen resolution 1024x768 or higher
- Sound card with speakers or headphones attached
- Pentium 4 2.6 GHz or higher, or Apple Mac G5
- 512 MB RAM

video2brain: Compositing in Premiere Pro

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Другие новости по теме / See also:
  • video2brain: Fundamentals of Compositing Tracking and Roto Techniques with ...
  • Premiere Pro Guru: Compositing and Masks
  • video2brain: Video Production with Adobe Premiere Pro CS5.5 and After Effec ...
  • video2brain: Color Correction in Premiere Pro
  • video2brain: Getting Started with Premiere Pro CS6
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    Комментарии / Comments

    (#1) написал: adobe (28.01.12 12:51)

    (#2) написал: Elbo (15.02.12 12:12)
    большое спасибо wink


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